We inhaled all 16 hours of Radioheads OK Computer sessions. Here are the best bits   Los Angeles Tim

We inhaled all 16 hours of Radioheads OK Computer sessions. Here are the best bits Los Angeles Tim

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We inhaled all 16 hours of Radioheads OK Computer sessions. Here are the best bits Los Angeles Tim The note from British art rock band Radiohead was pretty straightforward: Weve been , wrote singer on the bands . Acknowledging that a hacker had stolen nearly 16 hours of Thom Yorkes rehearsal recordings and songwriting ideas from its OK Computer sessions and demanded a dollar 150,000 ransom, on Tuesday the band dumped the whole lot at the digital music store Bandcamp, with proceeds given to charity. The music will remain available for 18 days. The action prompted relief from ethically minded fans concerned about enjoying and celebrating the theft of their favorite bands unreleased work. The extortionist hacker is vermin, wrote one commenter on Bandcamp. Dont thank him, folks! Hes not a fan. Titled Minidiscs [Hacked], the release consists of what is described as archived mini discs from 1995 1998 ? . Its presented as 18 installments, one for each disc swiped from Yorkes archives. Aside from a few that are shorter, each track is about an hour long. In the note, Yorke accepted the works fate, writing that it may as well be out there until we all get bored and move on. Below, some highlights from across the tapes. First indication that Minidisc [Hacked] isnt a waste of time: MD111 [16:40]. Fifteen minutes into the first minidisc, after a rehearsal tape of Yorke singing along to the chords to Exit Music for a Film and a roughed out version of Electioneering, the band drifts into the first of a few takes on True Love Waits, a ballad long beloved by Radiohead fans. Best sketch of what would become Paranoid Android: As if giving birth via AM radio, the song that became Paranoid Android arrives on MD115 with cassette tape hiss and a distant set of guitar chords. The final major piece on this 57 minute track, the untitled snipped arrives at 53:50. Most boring bit: Ha. Is there a boring bloom in a field of roses? Is there such a thing as the most unimpressive grain of sand? Which star has the dullest twinkle? If pressed, skip MD117. Now youre down to a more manageable 15 hours. Best lyric about being a fashion victim: Not every singers lyrics read well on the page, and Yorkes dont read at all well. To wit: Even if it hurts to walk and people laugh / Im proud of my funky clothes, he sings on MD124 at 7:26. Thankfully, that lyric never made it out of the practice sessions. Best version of Lift: A recording of this OK Computer outtake was released as part of the deluxe 20th anniversary collection, OK Computer OKNOTOK 1997 2017, but fans have been rejoicing over a take that arrives on MD126 at 1:00:15 — and arguing whether its superior to the more distorted one at 10:17 of MD125. Best field recording: The opening minutes of the final minidisc MD128 occur outdoors, and by the sound of it we could be on Mount Everest. Wind hits the microphone, texturing the tape with whooshes. Yorke and a few others chat. He seems to walk away, and after moments of gusting wind, Yorkes voice moves into the center. Knock me out — smash out my brains, he sings with urgency. Adding a cuss, he continues, If I take the check and start to talk… Best breakbeat: Yorke may be proud of his funky outfit — it really does look great but he should be equally proud that his band declined to explore rave rock in these 1996 rehearsals. On MD120 at 5:55, Radiohead drummer Phil Selway might be channeling Eric B. and Rakims Paid in Full as he lays down a classic hip hop beat. In another, more horrifying universe, Yorkes Funky Clothes lyric, coupled with this beat, could have been a major funk rock reinvention for the band. First hint that Yorke understands what were going through: On MD116 at 10:18, he sings of the dire toll that awaits listeners willing to endure 17 hours of rehearsals: Oh, no — Ive lost all feeling in my head and in my heart. Best stoner jam: The space rocker on MD115 extends for eight minutes and is built around a keyboard activated vocal sample that moves through the piece with psychedelic flourish. Most inspired use of a tambourine: The slow, extended take on Let Down arrives at 24:30 of MD119 and runs for over 10 minutes. Is there fat? Yes. Do you know what makes it endurable? The tambourine, which taps its way through the take with relentless precision. Best Yorke lyric that captures the spirit of spending so much energy on this leak: Im not living / Im just killing time, he sings on MD111 at 17:22. Best example of Yorke yodeling: The whole run begins at 8:45 on MD118, and finds our hero skipping through octaves with gleeful abandon. He nails a wondrous high note — then the tape stops. Best lyric about Yorkes insecurity. Who among us would want our private musings revealed to the public? These rehearsals werent supposed to see the light of day, and for good reason: MD 116, at 3:34. If I want to talk, I just want to talk / Please dont interrupt, sit back and [indecipherable] / And if youre gonna laugh please leave the room.

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